Who invented radioactive dating used for the turin shroud
The so called "Shroud" is an extremely interesting example of Medieval art that was fraudulently presented as the genuine burial shroud of Jesus in the heyday of faked relics, the Fourteenth Century.All of the evidence clearly indicates that it is a piece of Medieval art and not a genuine First Century artefact:1.Conclusion: Desperate true believers have spent years trying to come up with counters and denials of this evidence or to discredit the carbon dating results. The "Shroud" first appears in the heyday of Medieval relic faking - the Fourteenth Century.It was immediately investigated by the local bishop and found to be a fake, with the artist who faked it admitting as much.Clearly it did have a basis, however, so Clement instead ordered the De Charnys to stop declaring the "Shroud" to be the genuine article and to display it as as a "representation" of the shroud of Jesus only.
And we find all of these elements on the so-called "Shroud", which first appeared in this very period.
This shortening of the upper part of the head is a typical anatomical mistake made by first-time life artists, and it is common for early lessons in life drawing to teach new artists not to make this naive mistake by showing that the proportions of the head are actually quite different to the way people tend to see them at first.
In Medieval art, however, which was symbolic rather than strictly realistic in its aims, things like physical proportions were of less concern.
It was later condemned as a fake again, with this condemnation upheld (reluctantly) by a relative of the family displaying it.
Its iconography conforms to the art of the Fourteenth Century, but not to what we know of the appearanceof First Century Jews.
Artistic evidence: The man depicted on the "Shroud" strikes many people as being Jesus because it "looks like Jesus".